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4AD and Jagjaguwar have collaborated on a live session that captures a truly unique Bon Iver performance, featuring Justin Vernon and Sean Carey. On recent tours fans will have become accustomed to seeing Vernon flanked by an eleven-piece band, with the swell in numbers lending a grandiose element to even his most delicate songs. Sidestepping expectations, the idea Vernon presented for this session was to provide a wildly different experience. Recorded in AIR Studio's Lyndurst Hall - a building that was originally a church and missionary school designed in 1880 by the great Victorian architect Alfred Waterhouse (designer of the Natural History Museum) - Vernon was joined only by Carey, with the pair positioning themselves opposite one another at two grand pianos. Although neither Justin nor Sean's first instrument is piano, they were able to remodel the songs in a way that showcases their complimentary vocals and, perhaps more strikingly, a seemingly effortless ability to experiment with form and structure. As such, fans are treated to jaw-dropping interpretations of several songs from both the new album and the 'Blood Bank' EP, as well as a cover of Bonnie Raitt's "I Can't Make You Love Me". And interpretation is an apt word, as these songs are artfully abstracted from their original incarnations. Rather than layer the sound as on 'Bon Iver, Bon Iver', the focus is on paring back, in part evoking the minimalist approach of contemporary classical music, while remaining true enough to the source material to retain those elements characteristic of Bon Iver. As on "Babys" and "Hinnom, TX", Vernon's trademark falsetto is positioned centre stage, framed by subtle and unexpected instrumental flourishes that render the performance simultaneously weighty and airless. It's quite an achievement that songs so widely-known and loved in their recorded form are able gain in emotional impact, and stands as testament to Bon Iver's singular talent. 1. Hinnom, TX 2. Wash. 3. I Can't Make You Love Me 4. Babys 5. Beth/Rest Director: Iain Forsyth & Jane Pollard Recording & Mixing: Jake Jackson with Brian Joseph Recorded in London at AIR Studios, October 16, 2011 "Hinnom, TX", "Wash.", "Beth/Rest" (c) 2011 April Base Publishing (ASCAP) "Babys" (c) 2009 April Base Publishing (ASCAP) "I Cant' Make You Love Me" (c) 1991 BMG Songs, Almo Music Corp., Bird Blues Music, Hayes Street Music (ASCAP)
On Dec. 4, just before Bon Iver took the stage at Pioneer Works, an old ironworks warehouse turned nonprofit arts and culture space, these prophetic words from Union Army officer Sullivan Ballou echoed off the Civil War-era brick walls: "Sarah, my love for you is deathless, it seems to bind me to you with mighty cables that nothing but Omnipotence could break; and yet my love of Country comes over me like a strong wind and bears me irresistibly on with all these chains to the battlefield." A week after writing those lines, Ballou was mortally wounded, dying for a cause in which he firmly believed. At first, these words struck me as disconnected from the evening's music. Bon Iver's new record, 22, A Million, feels so distant from the Civil War and the words of Sullivan Ballou. But there's a very real kinship between the letter and this band. Believing in what you do is essential to Justin Vernon and the music he creates for Bon Iver, and impermanence and duality are prevailing themes of this album. So, here in Brooklyn, at Pioneer Works, a space Vernon believes in and actively assists as a member of the Advisory Board, he and his team created a very special evening — a transcendent night of voices masked, faces hidden in darkness and a performance aimed at soul-searching and purpose over pop and stardom. This music was performed by a powerful big band, with two drummers and a sax ensemble backing upfront processed sounds, like vocal alterations and sampling, alongside electric and acoustic guitars. It was a visionary performance, fit perfectly to brilliant lighting and sound, seemingly executed down to fine detail by a guy in a Tipitina's T-shirt, loose pants and high-tops: unassuming, seemingly uncaring, but most certainly in control. -Bob Boilen SET LIST 0:16 10 d E A T h b R E a s T ⚄ ⚄ 2:59 33 'GOD' 6:45 Heavenly Father 10:50 29 #Strafford APTS 15:34 Beach Baby 18:33 666 ʇ 23:43 715 - CRΣΣKS 26:20 Calgary 31:01 22 (OVER S∞∞N) 34:44 8 (circle) 40:54 Minnesota, WI 48:13 45_ 54:15 Creature Fear 1:00:35 00000 Million MUSICIANS Justin Vernon: vocals, guitar, keys, processing; Andrew Fitzpatrick: guitar, processing, vocals; Michael Lewis: bass, synth-bass, saxophone, vocals; Sean Carey: drums, keys, vocals; Matt McCaughan: drums, vocals; Nelson Devereaux: saxophone; Stephanie Wieseler: saxophone; Dustin Laurenzi: saxophone; Chris Thompson: saxophone; Cole Pulice: saxophone. CREW Michael Brown: production designer; Chris Messina: studio/stage manager. NPR CREDITS Director: Colin Marshall; Producers: Colin Marshall, Benjamin Naddaff-Hafrey; Executive Producer: Anya Grundmann; Audio Engineer: Xandy Whitesel (from the Bon Iver crew); Technical Director: Josh Rogosin; Editors: Nickolai Hammar, Cam Robert; Videographers: Nicole Conflenti, Kara Frame, Nickolai Hammar, Claire O'Neill, Chris Parks, Cam Robert, Maia Stern. Special Thanks: Pioneer Works, The Bowery Presents, Jagjaguwar, Middle West, Shore Fire Media, Bon Iver Band & Crew. NOTE: The audio provided to NPR for "10 d E A T h b R E a s T ⚄ ⚄" includes a brief portion of the audio from a subsequent Pioneer Works concert to correct for a technical error at the Dec. 4 show.
Joined onstage by the beautiful harmonies of British folk trio The Staves, Bon Iver delivered a soul-stirring acapella rendition of 'Heavenly Father'. A perfect finale to their world premiere performances of 'Cercle' at Sydney Opera House as part of Vivid LIVE. Now entering its eighth year, Vivid LIVE is a two-week celebration of ambitious contemporary music at Sydney Opera House and is part of Vivid Sydney, the world’s largest festival of light, music and ideas. Produced by: Sydney Opera House Audio Mix Engineer: Xandy Whitesel SUBSCRIBE to Sydney Opera House: 🤍 Sydney Opera House is an Australian icon and one of the busiest performing arts centres in the world. On this channel you will find performances, behind the scenes content and stories from beneath the sails. With over 40 shows a week at the Sydney Opera House there's something for everyone. Find us on Facebook: 🤍 Twitter: 🤍 and Instagram: 🤍 What's On at Sydney Opera House: 🤍
Bon Iver's performance at Rock the Garden took everyone's breath away, especially when he played "Holocene" from his self-titled album near the end of his set. Hear more from the performance: 🤍
| Subscribe for more: 🤍 Bon Iver playing "For Emma, Forever Ago" in Montmartre, Paris, France Don't miss our Take Away Show with Alicia Keys : 🤍 Read the whole article and see more videos here: 🤍 "[Justin] immediately responded that this is kinda what he dreams of: that his album is meant to be played in front of small crowds, and that he was looking forward to it..." Directed by VIncent Moon 🤍 🤍 | Like us on Facebook: 🤍 | Follow us on Instagram: 🤍 | Follow us on Twitter: 🤍 | Website : 🤍
We are sincerely grateful that 2021 allowed us to return to live events and gave us the opportunity to create intimate, emotional, powerful shared moments between artists and their audiences. Bon Iver presented in L-ISA Hyperreal Sound technology at YouTube Theater was one of those special occasions. Today, we are honored to exclusively premiere these memorable moments with Justin Vernon and his fans, featuring the band's live version of "Holocene." Video by Vault Productions. Explore more reactions at 🤍
Saal 1 during 🤍 FILMED by Aelred Nils, Colin Solal Cardo, Ilan Cohen, Marta Fernandez / EDIT Melissa Sadouni PRODUCER petitesplanetes.bandcamp.com, blogotheque.net
Justin Vernon's career as Bon Iver has perfectly aligned with NPR Music's existence. It was 10 years ago this past summer that For Emma, Forever Ago began to write the project and the myth of its creation into indie-rock legend, making Vernon's own name nearly synonymous with it in the process. The idea of that cabin in the woods and Vernon's wounded, multi-tracked falsetto have since become iconic. That legacy has become something that Vernon and his bandmates have worked at times to escape — to beautiful effect on their latest record, the vocal processing- and sample-heavy 22, A Million (you can watch our full concert video featuring much of that album here). At our 10th Anniversary Concert at the 9:30 Club in Washington, D.C., Vernon performed alone, but as Bon Iver. He began with a rendition of his 2014 single "Heavenly Father," the earliest prominent use of the OP-1 synthesizer which came to define 22, A Million. He concluded his set with a cover of Leon Russell's 1970 ballad, "A Song For You." Vernon has an ear for covers that showcase his voice (see the jaw-dropping cover of "Satisfied Mind" by his early band DeYarmond Edison's or his incredibly popular "I Can't Make You Love Me" cover), and Russell's spare arrangement and strong melody are the perfect scaffolding for it. It is an instrument so distinctive that it brings an unmistakably singular sound to every performance, whether accompanied by acoustic guitar or OP-1, on an original song or somebody else's, no matter the project or era. Benjamin Naddaff-Hafrey SET LIST "Heavenly Father" "A Song For You" by Leon Russell CREDITS Director: Colin Marshall; Producers: Colin Marshall, Benjamin Naddaff-Hafrey; Technical Director: Josh Rogosin; Live Mix Engineer: Shawn "Gus" Vitale; Supervising Producer: Mito Habe-Evans; Managing Producers: Bob Boilen, Jacob Ganz, Jessica Goldstein, Abby O'Neill; Creative Director and Producer: Peter Glantz; Concert Videographers: Bronson Arcuri, Kara Frame, Nickolai Hammar, Morgan Noelle Smith, Maia Stern, Niki Walker; Production Assistant: CJ Riculan; Editor: Annabel Edwards; Special Thanks: The 9:30 Club; Executive Producers: Anya Grundmann, Keith Jenkins.
A stripped-back rendition of the moving single from Bon Iver's self-titled LP performed in the round at Sydney Opera House. Now entering its eighth year, Vivid LIVE is a two-week celebration of ambitious contemporary music at Sydney Opera House and is part of Vivid Sydney, the world’s largest festival of light, music and ideas. Produced by: Sydney Opera House Audio Mix Engineer: Xandy Whitesel SUBSCRIBE to Sydney Opera House: soh.online/SydneyOperaHouse_YouTube Sydney Opera House is an Australian icon and one of the busiest performing arts centres in the world. On this channel you will find performances, behind the scenes content and stories from beneath the sails. With over 40 shows a week at the Sydney Opera House there's something for everyone. Find us on Facebook: 🤍 Twitter: 🤍 and Instagram: 🤍 What's On at Sydney Opera House: 🤍
Director: NABIL (NABIL.com) Producer: Jill Hammer Production Company: NE Direction Editor: Isaac Hagy DOP: Larkin Sieple boniver.org jagjaguwar.com
Bon Iver. Team. For Emma, Forever Ago. 2008
Bon Iver's Austin City Limits performance airs on Saturday, October 13th on PBS. Check local listings for dates and times in your area. 🤍
Bon Iver opened their Rock the Garden performance with "22 (OVER S∞∞N)", which set the stage for an incredible set featuring most of '22, A Million,' and highlights from his first two records. Hear more from the performance: 🤍
This is a video I put together of Bon Iver performing the encore "Skinny Love" Live and acoustic only (not even a microphone) at The Ryman in Nashville, TN. The video includes my personal footage of the show, spliced together with other videos of the same show and same song, that I found on YouTube. So, in essence, this is a crowd sourced live music video. To my knowledge, the first of it's kind. I hope you enjoy.
Discover on Spotify 🤍 Stream & Download Spotify - 🤍 Apple Music - 🤍 Bon Iver 🤍 🤍 St. Vincent 🤍 🤍 Aurora Vibes 🤍 🤍 🤍 Photo by Simon Migaj 🤍 Lyrics for "Rosyln" by Bon Iver & St. Vincent Up with your turret Aren't we just terrified? Shale, screen your worry from what you won't ever find Don't let it fool you Don't let it fool you down Dancing around, folds in her gown Sea and the rock below Cocked to the undertow Bones blood and teeth erode They will be crashing low Wings wouldn't help you Wings wouldn't help you down Down towards the ground, gravity's proud. You barely are blinking Wagging your face around When'd this just become a mortal home? Won't, won't, won't, won't Won't let you talk me Won't let you talk me... down We'll pull it taut, nothing let out #BonIver #Rosyln #AuroraVibes
We probably don't need to tell you much more about Justin Vernon's Bon Iver project. If you read My Old Kentucky Blog with even passing regularity, you know he's been my favorite artist of the last two years, and his album, For Emma, Forever Ago, will go down as an all-time great in my book. The album has become the fastest selling record ever for it's label, Secretly Canadian/Jagjaguwar. The songs are honest, earnest and simple, and within those basic qualities, the album becomes great...transcendent even. When the idea for LaundroMatinee started we had two bands scheduled for our first week with video...The Felice Brothers and Bon Iver. The Felice Brothers cancelled and Bon Iver became the inaugural attempt. We were thrilled, to say the least, that it worked out that way. The session was recorded and filmed in our original Pendleton Heights High School/91.7 WEEM radio station, under those wonderful flourescent lights. As I'm sure Justin feels about his music, we too know we've come a long way since these humble beginnings, just months ago, but we'll be just as thrilled when we can get him back in for Round Two.
Taylor Swift performing “exile” featuring Bon Iver from the Grammy nominated Album of the Year, folklore. From the original film, folklore: the long pond studio sessions on Disney+. Get the album here: 🤍 🕰️ Pre-order the new album Midnights by Taylor Swift available everywhere October 21: 🤍 ►Subscribe to Taylor Swift on YouTube: 🤍 ►Exclusive Merch: 🤍 ►Follow Taylor Swift Online Instagram: 🤍 Facebook: 🤍 Tumblr: 🤍 Twitter: 🤍 Website: 🤍 ►Follow Taylor Nation Online Instagram: 🤍 Tumblr: 🤍 Twitter: 🤍 exile feat. bon iver - lyrics: written by taylor swift, william bowery & justin vernon I can see you standing, honey With his arms around your body Laughing but the joke’s not funny at all And it took you five whole minutes To pack us up and leave me with it Holding all this love out here in the hall I think I’ve seen this film before And I didn’t like the ending You’re not my homeland anymore So what am I defending now? You were my town Now I’m in exile seeing you out I think I’ve seen this film before I can see you staring, honey Like he’s just your understudy Like you’d get your knuckles bloody for me Second, third, and hundredth chances Balancing on breaking branches Those eyes add insult to injury I think I’ve seen this film before And I didn’t like the ending I’m not your problem anymore So who am I offending now? You were my crown Now I’m in exile seeing you out I think I’ve seen this film before So I’m leaving out the side door So step right out There is no amount Of crying I can do for you All this time We always walked a very thin line You didn’t even hear me out (Didn’t even hear me out) You never gave a warning sign (I gave so many signs) All this time I never learned to read your mind (Never learned to read my mind) I couldn’t turn things around (You never turned things around) Cause you never gave a warning sign (I gave so many signs) (So many signs) (So many signs) You didn’t even see the signs I think I’ve seen this film before And I didn’t like the ending You’re not my homeland anymore So what am I defending now? You were my town Now I’m in exile seeing you out I think I’ve seen this film before So I’m leaving out the side door #taylorswift #exile #boniver #folklorelongpond
please subscribe my band youtube page 🤍 I hope you enjoyed this video, if so then subscribe to my channel this will be a motivation for me.good luck! 0:00 Creature Fear 6:28 Lump Sum 11:40 Skinny Love 16:44 Brackett, WI 21:43 Beach Baby 24:42 Blood Bank 31:00 Flume 36:14 For Emma 40:40 The Wolves
Full uncut episode available on Patreon 🤍 twitter 🤍 instagram 🤍 Bon Iver - For Emma, Forever Ago 🤍 🤍 For Emma, Forever Ago is the debut studio album by American indie folk band Bon Iver. It was first self-released in July 2007, and later saw wide release on the Jagjaguwar label in February 2008. The album is principally the work of singer-songwriter Justin Vernon. While living in Raleigh, North Carolina, Vernon fell ill with mononucleosis and a liver infection, and grew frustrated with his songwriting and life. He left Raleigh and drove to his father's remote hunting cabin an hour northwest of his hometown, Eau Claire, Wisconsin, hoping to be alone. The album was recorded at the cabin between late 2006 to early 2007. Vernon abandoned his old songwriting methods and instead focused on wordless melodies that he later set to words, which he felt evoked a more subconscious meaning. The record's lyrical subjects include lost love and mediocrity. His folk-infused songs include heavy choral arrangements, featuring Vernon's falsetto, and horns. He hunted his own food and spent much of his time isolated. Though he did not intend to make an album, he received strong encouragements from friends and decided to self-release For Emma, Forever Ago in July 2007. After several performances and online exposure, he was signed to Jagjaguwar later that year. For Emma, Forever Ago attracted wide acclaim from music critics, achieving a spot on dozens of end-of-the-year lists, as well as several awards. It became a major commercial success for Jagjaguwar, an independent label, and has been certified platinum by the Recording Industry Association of America (RIAA), for combined sales, streaming and track-sales equivalent of over one million units. "Skinny Love" became the album's best-performing single and also went gold. Vernon gathered together several musicians to form a band to tour with. The album's touring cycle lasted two years, ending in late 2009, and visited several countries and music festivals worldwide. In 2020, it was ranked 461 on Rolling Stone's list of the greatest albums of all time.
WeTransfer Presents Directed by Andrew Swant Edited & Produced by Chris James Thompson Cinematography by Quinn Hester Executive Produced by Josh Sundquist Music by Bon Iver Courtesy of Jagjaguwar Sound Recording & Mixing - Chris James Thompson Color & Additional Editing - Andrew Swant Camera Operator - Hannah Christensen Director/DP Nashville Unit - Rory Fraser Nashville Unit Audio - Carolyn Benedict-Fraser Skalar and Apologue footage courtesy of WHITEvoid L-ISA footage courtesy of L-Acoustics Sonic Ranch archival video - Aaron Anderson & Eric Carlson Sonic Ranch & Come Through photography - Graham Tolbert Santa Barbara Bowl photography - Matthew John Benton
Videoclip gemaakt door Nora Fehres voor de muziek van Bon Iver met het nummer Team.
Performed and arranged by Lorelei Ensemble Recorded at Boston Conservatory Friday, May 13, 2016 I'm up in the woods, I'm down on my mind. I'm building a still, to slow down the time.
The VANNS cover Bon Iver for triple j's Like A Version. Subscribe | 🤍 Like A Version on Spotify | 🤍 Like A Version on Apple Music | 🤍 Facebook | 🤍 Instagram | 🤍 Twitter | 🤍 Like A Version is a segment on Australian radio station triple j. Every week a musician or band comes into the studio to play one of their own songs and cover a song they love. Since 2004, many artists have participated, including Childish Gambino, Lorde, CHVRCHES, Tame Impala, Tash Sultana, HAIM, Gang of Youths, Halsey, DMA'S, Aurora, Arctic Monkeys. You can watch past sessions here: 🤍 You can watch Like A Versions ad-free at 🤍 #LikeAVersion
Live on Triple J. The stock footage was collected via greenland.com, visit their site, they're awesome.
Robin Hilton | March 17, 2023 It's hard to overstate the kindness and good-natured humor Bono and The Edge brought to the Tiny Desk. When they first arrived at the NPR Music offices, Bono spoke on an imaginary phone, "The talent's here! The talent's coming through," poking fun at their own fame, while carrying The Edge's guitar. (The Edge called Bono the best roadie he's ever had.) The two never stopped beaming, like two overjoyed newcomers thrilled at the chance to play for someone. The performance was a preview of U2's new album, Songs Of Surrender, featuring stripped-down versions of songs from across the band's catalog. To help pull off several reimagined songs from the 2000 album All That You Can't Leave Behind, Bono and The Edge invited a teen choir from the Duke Ellington School of the Arts in Washington, D.C., to join them. During rehearsals, Bono told the students to think of "Beautiful Day" as the kind of "post-drinking" singalong you'd bellow with friends after leaving a bar. He then quickly realized none of them are old enough to drink, before feigning a heart attack. Traveling without bassist Adam Clayton or drummer Larry Mullen Jr., Bono and The Edge made the trip from Ireland to the States specifically for the Tiny Desk, arriving in D.C. after five days of rehearsals at Bono's New York apartment. When they settled in for the performance, they treated the office to four songs, including a deeply emotional version of "Stuck in a Moment You Can't Get Out Of," written for the late INXS singer Michael Hutchence, and a reworked version of "Walk On," which Bono said was inspired by and dedicated to the people of Ukraine. SET LIST "Beautiful Day" "In a Little While" "Stuck in a Moment You Can't Get Out Of" "Walk On" MUSICIANS Bono: vocals The Edge: guitar, vocals Duke Ellington School of the Arts Choir: Petra Munter, Ayan Yacob, Kirsten Holmes, Jayla Norwood, Dyor Taylor, Jaylyn Pickney, Jevon Skipper, Joshua Jennings, Jordan Freeman Patrick Lundy: choir director Special thanks to: Sandi Logan (principal/HOS), Isaac Daniel (assistant principal) TINY DESK TEAM Producer: Bob Boilen Director: Joshua Bryant Audio Engineer: Josh Rogosin Series Producer: Bobby Carter Editor: Maia Stern Videographers: Joshua Bryant, Kara Frame, Sofia Seidel, Michael Zamora Audio Assistant: Alex Drewenskus Production Assistant: Jill Britton Tiny Desk Team: Suraya Mohamed, Marissa Lorusso, Hazel Cills, Ashley Pointer, Pilar Galván VP, Visuals and Music: Keith Jenkins Senior VP, Programming: Anya Grundmann #nprmusic #tinydesk #u2 #bono #theedge
I couldn't find this video anymore on YouTube, so I thought it needs to get back into rotation. Thanks for all the thank-you's, I knew I wasn't alone :)
Live performance by Lorelei Ensemble and the Boston Percussion group 🤍loreleiensemble.com 🤍bostonpercussiongroup.com
Bon Iver and TU Dance perform "Come Through" LIVE at The Kennedy Center as part of DIRECT CURRENT, filmed live in the Kennedy Center's Concert Hall on March 25, 2019. The Kennedy Center's DIRECT CURRENT celebration kicked off with Bon Iver & TU Dance’s Come Through, a cohesive, cross-genre performance between two artistic powerhouses. This evening-length collaboration featured new music from Justin Vernon, of two-time Grammy Award®–winning indie folk band Bon Iver, and new choreography from TU Dance, a diverse nine-member company founded by Toni Pierce-Sands and Uri Sands and known for works that combine the language of modern dance and classical ballet with African-based and urban vernacular movements. Come Through was commissioned by the Saint Paul Chamber Orchestra’s Liquid Music Series. "Come Through" Performed by Bon Iver and TU Dance TU Dance Artistic Directors, Toni Pierce-Sands and Uri Sands Music by Justin Vernon Choreography by Uri Sands #DirectCurrent #BonIver #TUDance #ComeThrough Subscribe to The Kennedy Center! 🤍
Created/Produced/Directed by Aaron Anderson & Eric Timothy Carlson Artwork by Eric Timothy Carlson Source Photos/Videos by Eric Carlson 22, A Million Out Now 🤍 Album Credits: 🤍 Get the album: 🤍
The world needs more good things. THIS is a good thing
We're kicking off the summer of 2017 with our rendition of Bon Iver's 715 Creeks, featuring our very own Willy McNamara! Studio version will be available on Spotify and iTunes soon! Thank you for your continued love and support! MeloLove! Soloist/Arranger: Willy McNamara Audio: Shane Stever (🤍) Video/Live Mixing: Augie Phillips (🤍) 🤍 - - -
Mixed Company of Yale performs "715 - CRΣΣKS" by Bon Iver at their 2022 Spring Jam. Soloist: Will Evans '23 Arrangement: Aissa Guindo '21 Sound: Steve Klunk See more Mixed Company! WEBSITE: 🤍mixedcompanyofyale.com INSTAGRAM: 🤍 SPOTIFY: 🤍 FACEBOOK: 🤍 EMAIL: mixedcompanyofyale🤍gmail.com
'Weird Goodbyes' by The National featuring Bon Iver is out now via 4AD: 🤍 Lyrics: Memorize the bathwater, memorize the air There'll come a time I'll wanna know I was here Names on the doorframes, inches and ages Handprints in concrete, at the softest stages I don't know why I don't try harder I feel like throwing towels into water Get it down to nothing, everything that matters Fever flashes, eyelashes and traffic patterns Humidity, history, chemistry and panic Swimsuits in windows of electric minivans I don't know why I don't try harder I've been going down some some strange water Move forward now. There's nothing to do Can't turn around, I can't follow you Your coat's in my car I guess you forgot It's crazy the things we let go of It finally hits me, a mile's drive The sky is leaking, my windshield's crying I'm feeling sacred, my soul is stripped Radio's painful, the words are clipped The grief it gets me, the weird goodbyes My car is creeping, I think it's dying I'm pulling over, until it heals I'm on a shoulder, of lemon fields What was I even leaving for I keep going back and forth I think now I'm about to see Didn't know how sad it'd be Memorize the bathwater, memorize the air There'll come a time I'll wanna know I was here Names on the doorframes, inches and ages Handprints in concrete, at the softest stages I don't know why I don't try harder I feel like throwing towels into water Move forward now. There's nothing to do Can't turn around, and I can't follow you Your coat's in my car I guess you forgot It's crazy the things we let go of It finally hits me, a mile's drive The sky is leaking, my windshield's crying I'm feeling sacred, my soul is stripped Radio's painful, the words are clipped The grief it gets me, the weird goodbyes My car is creeping, I think it's dying I'm pulling over, until it heals I'm on a shoulder, of lemon fields The grief it gets me, the weird goodbyes My car is creeping, I think it's dying I'm pulling over, until it heals I'm on a shoulder, of lemon fields 🤍 🤍 🤍 🤍 Tour dates: 🤍
Provided to YouTube by Universal Music Group Monster · Kanye West · JAY-Z · Rick Ross · Nicki Minaj · Bon Iver My Beautiful Dark Twisted Fantasy ℗ 2010 UMG Recordings, Inc. Released on: 2010-01-01 Producer: Kanye West Studio Personnel, Recording Engineer: Andrew Dawson Studio Personnel, Recording Engineer: Anthony Kilhoffer Associated Performer, Piano: Jeff Bhasker Associated Performer, Background Vocalist: Justin Vernon Composer Lyricist: Kanye West Composer Lyricist: Shawn Carter Composer Lyricist: Onika Maraj Composer Lyricist: Justin Vernon Composer Lyricist: Patrick Reynolds Composer Lyricist: Mike Dean Composer Lyricist: W. Roberts Composer Lyricist: Malik Yusef Composer Lyricist: Ben Bronfman Composer Lyricist: Daniel Lynas Composer Lyricist: Harley Wertheimer Auto-generated by YouTube.
Provided to YouTube by Beggars Group Digital Ltd. Skinny Love · Bon Iver For Emma, Forever Ago ℗ 2008 Jagjaguwar under exclusive license to 4AD Ltd Released on: 2008-05-12 Associated Performer: Justin Vernon Music Publisher: CMRRA Music Publisher: Kobalt Music Publishing Composer Lyricist: Justin Vernon Auto-generated by YouTube.
Provided to YouTube by Universal Music Group exile · Taylor Swift · Bon Iver folklore ℗ 2020 Taylor Swift Released on: 2020-07-24 Producer, Studio Personnel, Recording Engineer, Associated Performer, Piano, Electric Guitar, Synthesizer, Drum Programming, Percussion: Aaron Dessner Studio Personnel, Recording Engineer, Mixer: Jonathan Low Studio Personnel, Vocal Engineer: Laura Sisk Studio Personnel, Vocal Engineer: Justin Vernon Studio Personnel, Mastering Engineer: Randy Merrill Unknown, Other: Bryce Dessner Associated Performer, Violin, Viola: Rob Moose Composer Lyricist: Taylor Swift Composer Lyricist: William Bowery Composer Lyricist: Justin Vernon
Group Song Arranged By: Greg Bonnem
A bluegrass tribute to Bon Iver's "Holocene." From the album Pickin' On Modern Rock Hits. Available on iTunes here: 🤍
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![The National (feat. Bon Iver) - Weird Goodbyes [Official Lyric Video]](https://i.ytimg.com/vi/zcII2C6yh0A/mqdefault.jpg "The National (feat. Bon Iver) - Weird Goodbyes [Official Lyric Video]")
